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When companies are awash in cash, as many U.S. companies are following the US$1.5 trillion tax cut in December 2017, their tendency is to stick with the comfortable and reliable shareholder dividends and share buybacks, with perhaps some M&A thrown in. And although these conventions keep investors happy, they do little to address the barrage of other pressing issues companies currently face.
Corporate leaders must now navigate a landscape in which consumers, shareholders, and activist investors are putting good corporate citizenship on par with providing excellent products and services. Skilled talent is increasingly hard to recruit and retain. Amid the clutter on social media, it’s getting harder to control brand image. And firms are looking for new ways to stimulate innovative thinking and attract a diverse workforce.
What if, to help address these issues, companies put some of that newfound cash toward something less conventional, yet effective? What if they invested in the arts?


Whether displaying a corporate art collection in the workplace, providing free museum access to employees and their families, or sponsoring a gallery event in the community, investments in the arts can work to assuage some of the concerns keeping CEOs up at night.
Providing free museum access to employees and their families is one perk that can help companies differentiate themselves.
There is some evidence that business is prepared to step up their arts-related philanthropy. Total spending on arts sponsorship in North America was $993 million in 2017 and is expected to increase 3.7 percent to $1.03 billion in 2018 — the first year the amount would break the $1 billion mark. That’s according to ESP, a consultancy that collects and analyzes sponsorship information. Yet ESP expects sports sponsorships to account for 70 percent of the global corporate sponsorship budget, with 4 percent going to the arts.
It’s true that putting money into the arts may not provide the direct and measurable return on investment for a company that, say, sponsoring a football game might. But evidence shows that arts investment provides solid advantages for both the business itself and the community in which the company and its employees live and work.
Draw Talent
Company leaders are worried about being able to attract the workers they need in an age in which both technical and soft skills are required to succeed. According to PwC’s 21st CEO Survey, when asked to consider threats to their organizations’ growth prospects, 79 percent of the more than 1,200 global CEOs surveyed reported being somewhat or extremely concerned about having access to needed skills. Further, 42 percent of CEOs said they would consider relocating their operations closer to available pools of digital talent in order to have a better shot at attracting tech-savvy workers.
But what if the community in which a company was already based was a draw for that talent? Investing in local art programs and artists contributes to the well-being and culture of the community overall, making it a more attractive place for talent to live and work.
A 2017 study from the Conference Board and Americans for the Arts, “Business Contributions to the Arts (PDF),” found that 54 percent of the corporate leaders responding said the arts improve the quality of life in a community. Almost half, 49 percent, said the arts create a vibrant community and society. Furthermore, according to the Americans for the Arts 2016 survey “Americans Speak Out about the Arts (PDF),” 87 percent of respondents said that “arts institutions add value to our communities,” regardless of whether people engage with art or not.
With the competition for skilled talent so intense, it is important for employers to create unique experiences for workers. Providing free museum access to employees and their families is one perk that can help companies differentiate themselves. And there is evidence that exposing kids to the arts is indeed of value: In the “Business Contributions to the Arts” survey, 47 percent of respondents said the arts improve academic performance for students (a plus for employees’ families). Along the same lines, investing in a corporate art collection — one that is displayed throughout the office and not just in the C-suite — also helps a company stand out.
As people increasingly seek employment with firms that act as good corporate citizens, being known as a company that supports the arts financially, has an art collection it shares with employees, or is a part of bringing arts to children can set a firm apart from its competitors.
Elevate Brand
Such engagement with the arts, of course, also adds to the corporate brand and is a useful marketing tool to both potential employees and customers, says Vadim Grigorian, a marketer specializing in corporate art projects. Grigorian lectures on brands and art at his MBA alma mater, INSEAD, in addition to helping businesses with cultural engagements. He is perhaps best known for his project in which artists were asked to present their interpretation of the Absolut Vodka bottle when he was marketing director of luxury and creativity at spirits company Pernod Ricard.
But beyond the cachet of being associated with the art world, today’s investors want the companies they support to have a conscience. And that means acting philanthropically throughout the community, including the art community.
“Increasingly, companies are noted by rating agencies or investment analysts on elements beyond P&L: social responsibility, ethics, sustainability,” says Grigorian. “This puts pressure on even the most cynical managers. But for visionary business leaders, deep corporate cultural engagement is an opportunity to stand out in the eyes of investors and other stakeholders.”
Spark Creativity
Creativity is among the top skills sought by businesses, according to the Conference Board’s “CEO Challenge 2017” survey, with 72 percent of business leader respondents saying creativity is of high importance when hiring. And although there hasn’t been much work done on the psychological process responsible for the connection, studies have shown that being exposed to art allows a person to feel more creative and open to innovation.
“To understand the force of art, try imagining for a moment a business world devoid of any visual creative stimulus,” says Kai Kuklinski, CEO of AXA Art, the world’s largest specialist art insurer. AXA has its own art collection of some 12,180 works, many of which are on display globally in its offices.
Recent studies show that when companies buy art and give employees access to the works throughout the office, that exposure can help spur creativity and innovation. Similarly, giving employees free museum access also allows them to enjoy the creative benefits of taking in art.
“Most modern offices in today’s global commercial districts appear entirely interchangeable,” says Kuklinski. “This is where a company has the chance to impress its personality onto its clients, and stimulate its own employees into a mind-set of heightened creativity and productivity.”
He adds, “This is what art does — sometimes to brilliant and startling effect…Giving access to art so that paintings, sculptures, and photography are not hidden behind closed doors means culture and creativity are part of the employees’ and clients’ work life.”
Promote Diversity
A diverse workforce is also proving to be an increasingly important factor for leaders as employees, customers, and shareholders begin to emphasize inclusion. More good news for CEOs on diversity: It has also been shown to be an important factor in fostering innovation and creativity.
When asked to what extent their organization was building trust with its workforce by creating transparency in diversity and inclusion policies, 89 percent of those responding to the PwC CEO survey said they were doing so at least to some extent, and 88 percent said they were using diversity and inclusion to build trust with customers.
According to the “Americans Speak Out about the Arts” survey, 67 percent of Americans believe “the arts unify our communities regardless of age, race, and ethnicity” and 62 percent agree that the arts “helps me understand other cultures better.”
“Corporate art collections have increasingly become a global culture currency, helping to realize and overcome differences and to relate to cultural background, symbolic language, and philosophies,” AXA’s Kuklinski says.
Art invites us to see things from other points of view. When companies display art or give employees access to museums, it can prove eye-opening, brining employees of different backgrounds to work together more closely. And while art can help us understand other cultures better, there is also evidence that it attracts diversity, according to the Martin Prosperity Institute at the University of Toronto’s Rotman School of Management. The group publishes the “Bohemian Index,” which tracks the correlation between a vibrant arts scene and an influx of cultural diversity.
Artists and their work can help give meaning to the complex period in which we live, and propose new ways of thinking. And corporate leaders can use that to their advantage. Supporting art and artists adds a dimension to public and employee life, and that philanthropy, in turn, can enhance a company’s image — and bottom line.
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In this session, Dr. Greenfield is trying to help Brian find what sparked his recent device binge by breaking down the behavioral progression that followed.
Patients like Brian, who seek treatment for behavioral addictions to technology, are at the extreme end of a spectrum. But the ubiquity of digital devices and unfettered 24/7 internet access has changed how all of us spend our time. Seventy-seven percent of Americans go online daily, and 26 percent are online “almost constantly,” according to the latest Pew Research Center survey. PCMag’s own survey of more than 650 readers’ tech habits found that approximately 64 percent of respondents sometimes or often feel they’re using their smartphone too much. Sixty-six percent sleep with it within reach of their beds (take the survey here). Tech has changed how we talk to each other, how we engage with the world, and how we think.
“There’s a myth that there’s something different about people with addictions from people without addictions,” Alter told me. “Right now, if you are a person who doesn’t have an addiction, does that make you in some qualitative or categorical way different from people who do? The more I’ve studied this, the more I realized that just isn’t true.”
He found that a typical 25-year-old unlocked their phone 56 times a day with an average usage time of 220 minutes per day. That’s just shy of 4 minutes per unlock. A year later, a similar group unlocked only about 50 times a day, but spent an average of 262 minutes per day using the phone.
In a recent 60 Minutes segment called “Brain Hacking,” Cheever and Rosen monitored Anderson Cooper’s cortisol levels; cortisol is the “fight or flight” hormone most closely linked to stress. Cooper’s anxiety spiked every time he got a text he couldn’t check.

Most products are created the same way: You build version one, test it in the market, tweak, and release an updated product. With digital products, this process can occur exponentially faster. Often it’s a small change; say, a new layout on an Amazon shopping page, or that likes and retweets in your Twitter feed can update in real time as you scroll. Each new version of Android and iOS rolls out features and improvements.
The era was immortalized through games like Cow Clicker, developed by game designer Ian Bogost to satirize how addictive these seemingly monotonous social games could be.
For users, though, regret can stem simply from overuse. Aside from the hooks and feedback loops, maybe the most important aspect of digital experiences for users to be aware of is the lack of mechanisms or rules that tell you it’s time to stop.
By the time Brian got to junior year in college, his tech habits had fallen into an unsustainable pattern. He took a medical leave of absence from school at his parents’ behest to get treatment at the CITA. After a five-day “intensive” program to help him detox and begin retraining his mind, the blocks and filters were installed on his devices and home router. He says they’ve helped, despite the relapse. Brian’s been returning to the CITA for sessions once or twice a week. The CITA is focused on both treating Brian’s addictive behaviors and rebuilding his social skills.


Treatment approaches differ around the world, but in China and South Korea, the methods can be quite serious and sometimes radical. China classified internet addiction as a clinical disorder way back in 2008, and 2014 state estimates said approximately 24 million Chinese children and teens were suffering from gaming or internet addictions.
Dr. Greenfield also said we’ve become a “boredom-intolerant culture,” using tech to fill every waking moment—sometimes at the expense of organic creativity or connecting with someone else in a room. When was the last time you took public transportation or sat in a waiting room without pulling out a smartphone?
Behavioral architecture can apply here, too. Often, devices distract us because we let them. We set our phones to notify us. Rosen recommends simple ways to take back that control. If you want to take a tech break, tell people you’ll be checking in less frequently, and you’ll get back to them as soon as you can, he says. Set a timer and give yourself a few minutes to check what you want to check, then close the apps. When you’re on a desktop, don’t just minimize your sites; close them.
“If you’re in Thrive Mode for the next hour and I text you, I’ll get a text back that you’re in Thrive Mode, which creates a new kind of FOMO. It makes me wonder: ‘What is she doing while she’s disconnecting? What am I missing out on?’ I’ll be intrigued and want to try it myself,” said Huffington. “In that way, using it will have a multiplier effect that begins to create new cultural norms around how we use technology. Instead of only valuing always being on, we begin to value regularly unplugging and recharging.”
“I think it’s really important that kids are exposed to social situations in the real world, rather than just through a screen where there’s this delayed feedback. It’s about seeing your friend when you talk to them; seeing the reactions on their face,” said Alter. “The concern is that putting people in front of screens during the years where they really need to interact with real people may never fully acquire those social skills. It’s the fact that the screen exists.”
